Experience the Magic of Mioussov Live at the Niavaran Center!

Currently, Tehran’s Niavaran Cultural Center is hosting an engaging adaptation of Russian writer Valentin Kataev’s classic 1947 play, “I Want to See Mioussov.” Under the direction of Mohammad Javad Habibi, this theatrical production brings to life a delightful comedy that explores themes of misunderstanding and mistaken identity. The Persian translation by Mahmoud Azizi makes this timeless piece accessible to a wider audience, offering a fresh perspective on social interactions and bureaucratic absurdities.

The cast features talented actors, including Hasti Jafari, Amir Shariat, Matin Tajik, Goudarz Hajari, Mehdi Kazemlu, and Saba Amiri. This exciting rendition of “I Want to See Mioussov” will be on stage for an entire month, inviting theatergoers to experience its humorous and thought-provoking narrative.

The plot of “I Want to See Mioussov” centers around a dedicated handyman named Zaitsev, who is tasked with renovating a nursery in Moscow. His journey to secure a simple signature from Comrade Mioussov, a patient at the prestigious rest home known as The Sunflowers, spirals into a hilarious series of events driven by mistaken identities. Here are some key plot points:

• Zaitsev needs a signature on a delivery receipt for 50 kilograms of white enamel paint.
• Entry to The Sunflowers is restricted, making it challenging for Zaitsev to meet Mioussov.
• To gain access, Zaitsev concocts a story, claiming to be the husband of Klava Ignatyuk—a celebrated agronomist who just received a gold medal.
• A twist occurs when Klava arrives at The Sunflowers on the same day to meet her real husband, leading to further misunderstandings.

The humor in “I Want to See Mioussov” is multifaceted, relying on the absurdity of Zaitsev’s deception. As he navigates the social dynamics of the rest home, he must maintain the guise of being Klava’s husband while interacting with her and the unsuspecting staff. This comedic farce amplifies the theme of miscommunication, showcasing how easily simple situations can escalate into complex dilemmas.

Moreover, beneath the laughter lies a layer of social commentary. Kataev cleverly critiques the bureaucratic nature of Soviet society, emphasizing how red tape and arbitrary rules can hinder genuine human connections. The play reflects a universal truth: the human desire for connection often confronts the obstacles posed by societal norms and regulations.

The first performance of “I Want to See Mioussov” debuted on November 12, 1965, at the Theatre des Nouveautés, with a production helmed by Jacques Fabbri, who also starred in the title role. Since then, it has been translated into various languages, including French, by Tamara Dalmat and Marc Gilbert Sauvajon, achieving significant acclaim and connection with audiences worldwide.

Today, the play continues to resonate with modern viewers, blending humor with insightful critiques of human behavior and societal expectations. It serves as a reminder of the timelessness of Kataev’s work, showcasing the absurdity of life while challenging audiences to consider the implications of bureaucracy in their own lives.

The ongoing production at Niavaran Cultural Center not only entertains but also invites reflection on the nature of identity and the societal structures that shape our interactions. Attend “I Want to See Mioussov” to experience a compelling blend of comedy, drama, and social commentary that remains relevant in today’s world.