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Gilan province in northern Iran experienced a tourism boom during the Nowruz holidays, attracting over 6.2 million visitors, a 27% increase in museum visits from last year. The region’s cultural heritage and picturesque landscapes, including Masuleh village and Rudkhan Castle, drew both domestic and 502 international tourists, with notable increases from countries like Azerbaijan and Russia. During this period, 95% of accommodations were occupied, and nearly 1.3 million vehicles entered Gilan. Gilan’s rich history, diverse attractions, and renowned hospitality solidify its status as a prime destination for travelers seeking unique experiences in Iran.
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Iran’s Minister of Cultural Heritage, Seyyed Reza Salehi-Amiri, met with Nasser Al-Mutairi, Secretary-General of the Asia Cooperation Dialogue, during the 18th Tehran International Tourism and Related Industries Exhibition. They discussed promoting tourism among ACD member states and enhancing Iran’s status as a travel destination. Salehi-Amiri announced plans for a major tourism exhibition in Tehran, highlighting Iran’s rich cultural heritage, including over one million historical sites and 28 UNESCO World Heritage labels. Emphasizing collaboration, Al-Mutairi recognized Iran’s appeal for Muslim travelers. As Iran aims to attract 15 million foreign tourists, this meeting marks a significant step in regional tourism cooperation.
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A UNESCO delegation from Algeria, Tanzania, Nigeria, and Iraq recently visited the Shushtar Historical Hydraulic System in Iran’s Khuzestan province as part of a training workshop by the Energy Ministry. They explored key components, including the Gargar River and Mizan Dam, while experts provided insights into the site’s ancient water system and mills. This UNESCO World Heritage Site, dating back to the 3rd century CE and influenced by earlier civilizations, showcases remarkable engineering and sustainable practices. The visit highlights the site’s commitment to preservation and collaboration with international institutions, emphasizing its significance for future generations.
A clay fragment from the Metropolitan Museum of Art has been identified as one of the oldest depictions of a tiger, dating to around 3500-3100 BCE, significantly altering perceptions of tiger imagery in Iran. This Chalcolithic-era figurine, excavated in 1960, features a striped feline and challenges the belief that tiger representations in Iranian art originated from foreign influences during the Sasanian Empire. Research indicates that ancient communities coexisted with Caspian tigers, suggesting a deeper cultural connection. This finding highlights the tiger’s role in regional identity and artistic expression, revealing a complex history with wildlife in ancient Iran.