Shahram Mokri’s ‘Black Rabbit, White Rabbit’ Set to Dazzle at Saudi Arabia and Singapore Film Festivals!
Shahram Mokri’s latest cinematic masterpiece, “Black Rabbit, White Rabbit,” is set to make waves at two prestigious international film festivals: the 36th Singapore International Film Festival (SGIFF) and the 5th Red Sea International Film Festival (RSIFF). This film not only showcases Mokri’s unique storytelling but also represents Tajikistan in the Oscars 2026, highlighting the country’s talent in the global film arena.
The Singapore International Film Festival will take place from November 28 to December 8, while the Red Sea International Film Festival is scheduled for December 4 to 13. Both festivals will feature “Black Rabbit, White Rabbit” in their competition sections, emphasizing the film’s significance in the contemporary cinematic landscape.
“Black Rabbit, White Rabbit” is a 139-minute film produced in collaboration between Tajikistan and the UAE. The film intricately weaves multiple plot strands, centering around Sarah, a woman entangled in a suspicious car crash and grappling with a controlling husband. Mokri’s narrative unfolds like a film-within-a-film, offering a layered exploration of cinema itself.
Key elements of the film include:
- A remake of a classic Iranian movie set in Tajikistan.
- A prop master anxious about a prop gun.
- An aspiring actress searching for her breakthrough role.
The film’s narrative cleverly intertwines these characters, creating a rich tapestry of interconnected fates. Mokri employs bold touches of magical realism and an enigmatic mystery, inviting viewers to engage deeply with the story.
Mokri adheres to Anton Chekhov’s principle that every introduced element must serve a purpose. The film’s details promise intrigue but also serve as distractions, with meanings refracted across mirrored scenes and time loops. This artistic approach enhances the viewer’s experience, making each moment significant.
Furthermore, the continuous long take technique serves as a choreography of precision and misdirection. Mokri skillfully shapes audience perception, exposing how cinema can deceive and reveal truths simultaneously. This duality is a hallmark of his filmmaking style, showcasing the paradox of storytelling.
The cast of “Black Rabbit, White Rabbit” features notable talents such as:
- Babak Karimi
- Hasti Mohammaï
- Kibriyo Dilyobova
- Bezhan Davlyatov
The Singapore International Film Festival, founded in 1987, is the longest-running and largest film event in Singapore. Celebrated for its dynamic programming, SGIFF focuses on groundbreaking Asian cinema, showcasing the power of film to inform, transform, and inspire audiences. The festival highlights global independent films, with a particular emphasis on Southeast Asian cinema.
Similarly, the Red Sea International Film Festival, launched in 2019, aims to celebrate excellence in film by embracing the vibrant creative energy of Jeddah and the broader Arab region. The festival features diverse programs designed for various audiences, from local creatives and cinephiles to international industry professionals seeking insights into this emerging market.
Each year, the RSIFF adopts a dedicated theme that reflects the art of film and culture, making it a new hub for Arab and international cinema. The festival’s lively programs cater to a wide range of interests, ensuring something for everyone, including families and aspiring filmmakers.
As “Black Rabbit, White Rabbit” prepares to debut at these influential festivals, it not only marks a significant milestone for Shahram Mokri but also highlights the increasing recognition of Persian cinema on the world stage. Audiences can look forward to a film that challenges perceptions and provides a thought-provoking exploration of storytelling.
In conclusion, the dual participation of “Black Rabbit, White Rabbit” in both the SGIFF and RSIFF underscores the film’s artistic merit and its role in representing Tajikistan at the Oscars. This cinematic venture promises to engage viewers with its intricate narrative and innovative filmmaking techniques, solidifying Mokri’s reputation as a visionary director in contemporary cinema.
