9 Iranian Illustrators Shine as Finalists in 53rd Belgrade Golden Pen Competition
In a remarkable showcase of talent, nine Iranian illustrators have been honored as finalists in the prestigious 53rd Belgrade Golden Pen Competition, part of the 18th International Biennial of Illustration. This event stands as a significant platform for illustrators worldwide, and the selected Iranian works will be featured in an exhibition scheduled for early November in Belgrade, Serbia, as reported by IRNA.
The jury of the competition has meticulously selected 83 works, among which the contributions from Iranian artists shine brightly. The talented illustrators include:
- Raha Amini
- Salimeh Babakhan
- Najla Mahdavi
- Maryam Mahmoudi Moghadam
- Hajar Moradi
- Mahshid Raghemy
- Shideh Sekhavati
- Ghazal Fatollahi
- Maral Forouzesh
Among the notable works to be displayed is “Zal and Simurgh” by Raha Amini. Additionally, children’s books that have gained recognition include:
- “Dreams, Whether Far or Near” and “Yalda Orange” illustrated by Salimeh Babakhan, based on stories by Hadi Mohammadi.
- Najla Mahdavi’s illustrations for “The Sun in the Turkmen Sahra”, authored by Yousef Qoujaq.
- Maryam Mahmoudi Moghadam’s self-authored and illustrated book “Everything is Great in Our Farm”.
- Hajar Moradi’s dual role as author and illustrator of “Land of Dragon”.
- “TikTak” written and illustrated by Mahshid Raghemi.
- “An Ordinary Day at the Café” illustrated by Shideh Sekhavati, based on the writing of Payam Ebrahimi.
- Ghazal Fatollahi’s illustrations for “Mahour”, authored by Shahrzad Shahrjerdy.
- Lastly, “A Girl Named Mari” illustrated by Maral Forouzesh, based on a story by Mazdak Forouzesh.
The Belgrade Golden Pen Competition is renowned as one of the oldest and most influential illustration events globally. Finalists have the opportunity to compete for the coveted Golden Pen awards during the final judging phase.
Established in 1959, this competition was born out of a need to elevate the status of illustrators within the art community. Historically, illustrators faced challenges in gaining recognition comparable to that of painters and sculptors. The Golden Pen of Belgrade was created with a mission to grant illustrators equal standing with fine artists and to affirm their significant role in society and art history.
In today’s digital age, social media and personal websites have become vital platforms for artists to showcase their work. This evolution raises the question: are physical exhibitions still relevant for artists? The answer lies in the unique experience that exhibitions provide. They serve as essential venues where artists and audiences can engage, fostering connections and appreciation for art in a communal setting.
Exhibitions offer a tangible experience, allowing visitors to immerse themselves in artistic creations within a physical space. They symbolize the enduring nature of cultural events, honoring those who have tirelessly worked to ensure that illustration is celebrated as a legitimate art form rather than merely a craft.
The Golden Pen of Belgrade continues to thrive despite financial challenges, thanks to the passion and commitment of dedicated individuals who believe in the importance of this event. It stands as a testament to the enduring value of illustrations in contemporary culture and the ongoing fight for recognition of illustrators as vital contributors to the art world.
As we anticipate the upcoming exhibition in Belgrade, the works of these Iranian illustrators not only highlight their individual talents but also represent a broader narrative of cultural significance and artistic evolution in the field of illustration.
Photo: Illustrations by Ghazal Fatollahi for the book “Mahour”
