Culture Minister Celebrates Year of Artistic Achievements and Global Image Boost

In a recent press conference held in Tehran, the Minister of Culture and Islamic Guidance, Seyyed Abbas Salehi, reflected on the significant cultural advancements achieved over the past year. This event marked the first anniversary of his tenure in the realm of culture and arts within the 14th administration, where Salehi addressed pressing issues and highlighted ongoing initiatives aimed at revitalizing the cultural landscape of Iran.

During the conference, Salehi emphasized the ministry’s commitment to fostering connections with artists and cultural figures, noting, “Over the past year, we have worked to strengthen our relations with cultural and artistic circles, the core stakeholders of the ministry.” This effort comes in response to a noticeable gap that has developed between authorities and artists, particularly filmmakers.

He stated, “Over the last year, efforts have been made, and it appears we are on a path of progress, moving toward bridging these gaps.” This progress is evidenced by an increase in artist participation in events like the Fajr Film Festival, signaling a more dynamic and engaged cultural scene.

Addressing the recent 12-day conflict, Salehi expressed pride in the role of artists: “Artists played a significant role in defending Iran and its resistance, demonstrating solidarity. While not solely the result of our initiatives, their patriotic spirit was evident.” He elaborated that since the onset of the conflict, interactive sessions have been initiated, allowing artists to remain active and committed.

Salehi further highlighted the importance of dialogue, stating, “We have opened channels for dialogue with artists. Although there is still a considerable distance to cover, the journey has begun.” He reiterated that engaging with artists yields positive results, contrary to some beliefs.

Focusing on regional initiatives, Salehi outlined the ministry’s decentralization efforts: “Our first priority over the past year was decentralization — paying attention to provinces and cities beyond the capital.” Key points included:

• Prioritization of programs and human resources in provinces.
• Establishment of provincial councils for cinema, expected to be operational by early October.

Regarding cultural infrastructure, he noted, “The issue of mobile libraries is being seriously addressed.” He also announced the resumption of provincial book exhibitions, alongside the inauguration of:

• 24 new libraries.
• Five fine arts colleges.
• Three cultural complexes.

On Iran’s global image, Salehi stressed the need to counteract negative portrayals: “Our enemies seek to isolate Iran and portray a distorted image of the country. We must counter these efforts and showcase Iran’s true face.” He introduced the “Damavand” multimedia platform, which hosts over 9,000 content pieces about Iran, and the “Talk About Iran” initiative, which invites social media influencers to visit Iran and share authentic narratives. To date, more than 150 influencers have traveled to Iran under this initiative.

Salehi underscored the importance of transparency in the ministry’s operations: “Transparency is a means to prevent corruption and foster better engagement with cultural and artistic stakeholders.” This approach aims to subject planning and implementation to constructive criticism, which he views as a positive development.

Discussing the Tehran Museum of Contemporary Art, he mentioned that the ministry has organized major events to familiarize the public with its valuable collection: “I believe this marks a rejuvenation for the museum.”

Looking ahead, Salehi announced the upcoming National Conference on Social Responsibility in Culture and Arts, which aims to encourage practical engagement among institutions. He also revealed plans for a competitive award to recognize leadership in this area.

Additionally, he mentioned an upcoming resistance-themed game development project set to be announced at the end of September.

Regarding foreign media presence, Salehi stated, “A joint committee within the Media Department, in coordination with the Foreign Ministry and security agencies, is working to facilitate the presence of international journalists in Iran.” He emphasized the significance of accurate reporting, especially during crises such as the recent conflict, where foreign media presence helped counter enemy propaganda.

Addressing the potential return of talented expatriate artists, Salehi remarked, “Post the recent conflict, distinctions have become clearer — patriot and traitor. The national landscape has shifted, and the cultural sphere must reflect this change.” He expressed the ministry’s intention to create opportunities for patriotic artists, both inside and outside the country, to reconnect.

“Unity is essential, especially as the threat persists,” he added. “This is not a ceasefire but a temporary pause, and the conflict could reignite.” He called for a collective approach rooted in sacred unity.

Salehi also touched upon the ministry’s support for Afghan migrants: “Farsi language ties Iran, Tajikistan, and Afghanistan. Among Afghan migrants, we have talented individuals. Our common language and literature are shared assets; the Ministry of Culture’s programs include Afghan friends, and we are ready to collaborate with them.”