Renowned Iranian Artist Kamran Katouzian, Celebrated Graphic Designer and Painter, Dies at 78

Renowned Iranian graphic designer and painter Kamran Katouzian has sadly passed away in Tehran at the age of 83. A prominent figure in the realm of abstract art in Iran, Katouzian’s contributions to the art scene will be remembered as he succumbed to a lengthy illness. His body will be laid to rest on Tuesday in the artists’ section of Behesht-e Zahra Cemetery, as reported by Mehr News Agency.

Born in Tehran, Kamran Katouzian exhibited an early passion for painting. After completing high school, he ventured to the United States to pursue higher education. Following the guidance of a professor, he enrolled at Wyndham University in Vermont, where he graduated in 1961 with a degree in painting and sculpture.

During his time in New York, Katouzian became captivated by the abstract expressionism movement. Influenced by renowned artists such as Jackson Pollock, Mark Rothko, and Mark Tobey, it was Franz Kline who left the most significant mark on his artistic journey. The effects of Kline’s style can be traced throughout various stages of Katouzian’s prolific career.

In addition to his painting, Katouzian made significant strides in the fields of graphics and advertising. His works are often regarded as pioneering prototypes of graphic design in Iran, skillfully merging the essence of painting with graphic aesthetics.

Returning to Iran in 1963, Katouzian secured a position at the Ministry of Culture and Art. There, he met influential figures such as Changiz Shahvaq and Naser Mofakham, who played a pivotal role in helping him establish the Saba Gallery in 1964. In 1965, he furthered his education by entering the architecture branch of the Faculty of Fine Arts at the University of Tehran.

Kamran Katouzian identified himself primarily as an abstract painter. His notable teaching endeavors included positions at the Faculty of Decorative Arts from 1969 to 1971 and Azad University from 1990 to 1992.

Throughout his career, Katouzian earned several accolades, including winning the 4th Tehran Biennale with his abstract painting titled “When My Father’s Father Was Young” and for an abstract sculpture of Iran in 1964. He also showcased his works at prestigious events such as:

• Paris Biennale in 1965
• Venice Biennale in 1966
• Washington International Art Festival in 1977

Today, Kamran Katouzian’s works are preserved in the permanent collections of significant institutions, including the Tehran Museum of Contemporary Art and the Museum of Modern Art in New York, ensuring that his artistic legacy will continue to inspire future generations.

As a trailblazer in the Iranian art scene, Kamran Katouzian’s impact on both graphic design and abstract painting will undoubtedly be felt for years to come. His dedication to his craft and his influence on aspiring artists exemplify the essence of creativity and passion in the world of art.

In conclusion, the legacy of Kamran Katouzian stands as a testament to the vibrant tapestry of Iranian art and culture. His contributions not only shaped the landscape of abstract expressionism in Iran but also bridged the gap between traditional painting and modern graphic design.